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此次展览的主轴从《恢宏壮丽》(Majestic Splendor)起,这是李昢(Lea Bau)1997年应纽约现代艺术博物馆策展人芭芭拉·伦敦(Barbara London)的邀请所做的一个作品空间——在高耸的橱窗里,新鲜的死鱼贴满装饰圆片,与葬礼用的百合花放置在一起,四周墙面上还布着经过芳香处理、真空包装的死鱼,它们不可避免地随着腐烂逐渐散发恶气,表面的美丽最终慢慢呈现出知觉上的暴力,虽然作品仅展示几天就因为博物馆工作人员的抗议而被撤下,李昢还是因此备受瞩目,随着作品被赫拉德·塞曼(Harald Szeenann)选入威尼斯双年展专为年轻参展艺术家策划的开放展,李昢为艺术界所熟知并最终建立了她的艺术声望。
The show’s main axis starts with Majestic Splendor, a work by Lea Bau at the invitation of Barbara London, curator at the Museum of Modern Art in New York in 1997 Space - In the tall windows, fresh dead fish are plastered with decorative discs, placed with the funeral lilies and surrounded by an aroma-treated, vacuum-packed dead fish, which inevitably As the decay gradually dissipated, the superficial beauty eventually showed a gradual sensory violence. Although the work was shown for only a few days after it was dismissed by protests from the museum staff, Li Kui became so much in the limelight that as the work was Harald Szeenann selected the Venice Biennale for an open exhibition planned for young exhibitors, who knew and eventually established her artistic prestige for the arts.