中国传统戏剧诞生于中国深厚的农耕文明的基础之上,中国叙事形式的更新与叙事美学的变迁,都必然受到民族审美的强烈规训。这种规训经过长时间的积累与沉淀,已经上升为一种文化意识形态,对新进的叙事模式产生巨大的制衡与指导。本文着力探讨民族审美规训与传统叙事美学的变迁之间复杂而微妙的互动与博弈,试图由此窥见中国艺术样式的成形过程中所隐藏的深层动力。 Chinese traditional drama was born on the basis of China’s profound farming civilization. The renewal of Chinese narrative form and the change of narrative aesthetics are bound to be strongly regulated by national aesthetic. After a long period of accumulation and precipitation, this discipline has risen to a kind of cultural ideology, giving a tremendous check and balance to the new narrative mode. This article focuses on the complex and delicate interaction and gambling between the national aesthetic norms and the changes of the traditional narrative aesthetics, trying to get a glimpse of the underlying motivation hidden in the formation of the Chinese art style.