好坏不分,美丑不辨,在当今社会已是司空见惯。普通大众美丑不辨似乎有情可原,最能体现社会审美水准的画家与书法家们(姑且称其为“家”)居然也有许多人美丑不辨,甚至以丑为美,这就不是一个简单的社会问题,而有其深刻的社会背景。究其原因主要有三个方面。首先,问题出在数十年来的美育教育严重缺失。在中国传统教育体系中,历代 Good or bad, beauty and ugliness do not distinguish, in today’s society is commonplace. Ordinary people do not distinguish between beauty and ugliness seemingly loveable, the best embodiment of the social aesthetic standards of painters and calligraphers (tentatively called “home ”) There are actually many people do not distinguish between beauty and ugliness, ugly or even the United States, which It is not a simple social issue, but a profound social background. There are three main reasons for this. First of all, the problem lies in the serious lack of aesthetic education for decades. In China’s traditional education system, the past