杨绛的文风舒缓从容、清丽淡雅,常以一种质朴纯真,简单直白的白描式文字流露出自己的深情。《干校六记》中作者主要运用了白描手法记叙了她在文革期间下放干校的一些琐事,语言平淡质朴,从中能看出作者恰当、贴切的分寸感,精湛的艺术修养和深厚的写作功底。本文参照葛浩文的英译本,浅析白描手法在译文中的再现,进而探讨译者主体性的适度发挥。 Yang Jiang’s style ease calm, elegant and elegant, often in a simple and plain, simple and straightforward white sketches of words to show his affectionate. The author of “Six chapters in the school of dry-mind” mainly uses white-painted techniques to recount some of the chores that she delegated to dry-school during the Cultural Revolution. The language is simple and plain, from which it can be seen that the author is appropriate, appropriate sense of proportion, superb artistic accomplishment and profound writing skills. This article refers to Ge Haowen’s English translation, analyzes the reproduction of the white-painted technique in the translation, and then explores the proper play of the translator’s subjectivity.