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奥斯丁的《诺桑觉寺》和她的其他五部小说相比较 ,在叙事策略上有着显著的不同。《诺桑觉寺》采用了公开的叙述者和外露的作者型的叙述声音 ,突出了作者的在场 ,获得了作者权威 ,构建了公开的、女性身份的作者立场。由于这部小说未能及时得以出版 ,奥斯丁调整了她的叙事策略 ,在这之后所写的小说采用了隐蔽的叙述者和含蓄的叙述声音 ,以及间接性的、含混型的叙事手法 ,小说自我叙事意识逐渐减弱 ,作者权威逐渐引退 ,表现出对作者型叙事行为的克制。
Austin’s “Noson Serai” is significantly different in narrative tactics than her other five novels. “Nosang Khan Temple” uses an open narrator and an exposed author-type narrative voice, highlighting the author’s presence, gaining the author’s authority, and establishing an open, feminist position of the author. As the novel failed to be published in time, Austin adjusted her narrative strategy, after which the novel was written in the form of covert narrator and subtle narrative voice, indirect and ambiguous narrative techniques, The self-narrative consciousness of the novel gradually weakened, the authority of the author gradually receded, and showed restraint on the author-type narrative behavior.