在比较诗学的理论视野下,现代批评家李长之以“感情的型”文艺标准为参照,探究屈骚作品的情感价值和审美意蕴,阐析批评主体的文化心态和审美观念嬗变及原因等,迈出了中国古代文学批评现代转型具有探索性的关键一步。反思与探究李长之屈骚批评及其理论得失,有助于拓展及深化比较文学与跨文化研究,同时也对探索中国传统诗学的现代转型及其在世界文化中地位的确立有积极意义。 In the perspective of comparative poetics, modern critic Li Changzhi explored the emotional value and aesthetic connotation of Qu Xi’s works with reference to the literary and artistic standards of “emotional type”, and expounded the evolution and reasons of the cultural psychology and aesthetic concepts of the subject of criticism Etc., has taken a crucial step toward exploratory exploration of the modern transformation of ancient Chinese literary criticism. Rethinking and exploring Li Changzhi ’s criticism of the poetic criticism and its theoretical gains and losses help to expand and deepen the study of comparative literature and intercultural communication. At the same time, it is also of positive significance to explore the modern transformation of Chinese traditional poetics and its establishment in the world culture.