想象一下这样的一个图像循环:录制在iPhone上的一场摩洛哥当地传统婚礼的影像,被剪辑、投射在了一个位于纽约的美术馆的沉浸式空间里:数字影像在多层次空间里的立体呈现又被无数个智能手机记录、上传至社交媒体,在手机屏幕上“观看”了展览的杂志编辑又将这件录像装置作品的图像转译在了杂志页面上(而杂志的图文内容也将再一次被数字媒体化,面对更多“墙”内的观众)……在今天这样一个被媒体完全渗 Imagine a cycle of images: an image of a traditional Moroccan wedding recorded on the iPhone was edited and projected into an immersive space at a gallery in New York: a three-dimensional presentation of digital images in a multi-layered space Uploaded to social media by millions of smartphones and edited on the phone’s screen. The magazine editor translated the image of the video installation into a magazine page (and the graphic contents of the magazine Will once again be digital media, in the face of more “wall ” in the audience) ...... In today’s such a media completely infiltration