最近拜读了严家炎主编的《二十世纪中国文学史》(以下简称严本),颇有一种眼前一亮的新颖感、厚重感、扎实感和深刻感;它不仅为文学史的重构提供了新鲜的经验和值得参照的书写范式,并且提出一些应该深入思考和探索的学术问题。严本是大部头的有开拓性的文学史,诚然显见的特色很多,不过最耀目的两大特色却是它的创新性与本体性。 Recently read Yan Jianyan’s “History of Chinese Literature of the Twentieth Century” (hereinafter referred to as Yan Ben), quite a novel feeling, heavy feeling, solid sense and profound feeling; it not only provides the reconstruction of literary history Fresh experience and reference writing paradigm, and put forward some academic issues that should be thought and explored in depth. It is true that there is a pioneering literature history, and it is true that there are many distinguishing features. However, the two most prominent features are its innovation and its noumenon.