差不多有一半的小说,我都在写一个叫“四顷地”的地方发生的故事,我对这个地名的迷恋,有时甚至超过小说本身。小说要虚构,四顷地却不用虚构,她实实在在地在那里。你虚构不虚构她都在那里。在绵绵燕山的皱褶处,群山巍峨,流水芬芳,四顷地像个长在深闺人未识的好姑娘,让人不停地想起,不停地回味。如果小说是作家虚构的生活,那么四顷地就是我真实生 Almost half of the novels, I was writing a story called “Four Lands and Place” place, my fascination with the place name, and sometimes even beyond the novel itself. The novel should be fictional, four are without fiction, she is really there. Your fiction is not imaginary, she is there. In the swollen Yanshan folds, towering mountains, flowing water, four are like a long girl in the boudoir did not know a good girl, people kept thinking, kept aftertaste. If the novel is a writer’s fictional life, then four ares are my real life