在1919年的“五四运动”到1937年抗日战争爆发的中国新音乐文化发展的初期,许多的音乐教育家、作曲家都致力于发展中国音乐教育和进行中国新音乐创作。本文选取萧友梅、齐尔品和贺绿汀等三位作曲家分别作为一种现象的代表来概貌中国新音乐发展初期的状况及其钢琴作品的创作特点。 Many music educators and composers devoted themselves to the development of Chinese music education and the creation of new Chinese music in the early days of the “May 4th Movement” in 1919 and the development of new Chinese music and culture that broke out in the Anti-Japanese War of 1937. In this paper, three composers, such as Xiao Youmei, Zierpin and He Luting, are selected as representatives of a phenomenon to outline the initial stage of the development of new Chinese music and the creative characteristics of its piano works.