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在2010年左右“逃离北上广”成为当时的一句流行语,它代表了众多不堪沉重生存压力的年青一代,希望逃离一线城市回归舒缓生活的抽离心态,而不久之后部分人“逃回北上广”的尴尬,则让互不兼容的生存模式成为被迫掉头者的又一次梦魇。在现实与理想的老生常谈间,一线、二线、三线等城市阶级的划分,似乎也在暗示着包容性与宽容度的逐级递减。记得在顾长卫导演的电影《立春》中女主角王彩
In 2010, “fleeing Beisuangguang” became a buzzword at that time. It represented a large number of young people who were under pressure to survive. They hoped to escape the pull-off mentality of first-tier cities and to ease their life. Some people soon ran away Back to the north wide “embarrassment, let the incompatible mode of survival has become forced to turn around again another nightmare. Between the reality and the ideal of clichés, the division of first-, second- and third-line urban classes seems to imply a gradual decline in tolerance and tolerance. I remember director Gu Wei director in the movie ”beginning of spring" actress Wang Cai