中国有着极其广阔的民族民间音乐素材,为中国现代音乐作曲家提供了无穷无尽的创作源泉。中国现代音乐作曲家在创作“中国风”现代音乐时,对音高组织的控制简练而富有民族色彩。本文以秦文琛“为笙、竖笛而作的二重协奏曲《迭响》”(2004)为例,简析“中国风”现代音乐的音高结构创作思维。 China has extremely vast national and folk music material, which provides an endless stream of creative sources for Chinese modern music composers. Chinese modern music composers control the pitch organization concisely and nationally when creating “Chinese style” modern music. This article takes Qin Wenchen ’s “double echo” (2004) as the double concerto for the Sheng and the clarinet as an example, and analyzes the creative thinking of the pitch structure of “Chinese style ” modern music.