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山海经古图及其所代表的“以图叙事”的传统,在明代传到了日本。绘制和问世于日本江户时代的《怪奇鸟兽图卷》（76幅图）,可能是受中国明代杭州（钱塘）著名编选家和出版家胡文焕《山海经图》（《格致丛书》之一）的影响或根据其摹写而成。本文从中日两种山海经图版本的构思设图、编排布局、奇神异兽造型、线条运用与整体艺术风格等多方面进行比较研究,探讨二者的异同,为中日两国文化传统和文化交流提供一些鲜为人知的材料和佐证。
Shan Hai Jing Tugu and its represented “to narrative narrative” tradition, spread to Japan in the Ming Dynasty. The “Strange Birds and Birds” volume (76 images) drawn and published in the Edo Period in Japan may be influenced by the famous writer and publisher Hu Wenhuan in Hangzhou, China (Qiantang) ) Or according to its copy. This article makes a comparative study of the conceptual plans, arrangement layouts, modeling of strange animals and creatures, the use of lines and the overall artistic style in the two versions of Shan Hai Geographies of China and Japan, and explores the differences and similarities between the two in order to serve the cultural traditions and cultures of China and Japan Exchange provides some little-known materials and evidence.