潍坊杨家埠木版年画兴起于明初,历经明、清、民国、新中国成立以来各个时期,由于社会变迁、政治动荡等原因几度盛衰浮沉。从上个世纪八九十年代开始,特别是进入21世纪,在有识之士的奔走呼号和国家各级政府部门、文化机构的重视下,迎来了新的发展机遇;但是随着传统文化的遗失、乡间民俗的消逝以及审美观念的更移,年画作为一种民间色彩浓重的艺术表现形式,其形态、功能、生产与消费都发生了前所未有 Weifang Yangjiabu woodcut New Year pictures rose in the early Ming Dynasty, after Ming and Qing Dynasties, the Republic of China, New China since its inception, due to social changes, political turmoil and other reasons, the ups and downs of several ups and downs. From the 1980s and 1990s, especially into the 21st century, new opportunities for development have come under the attention of people of insight, government departments and cultural institutions at all levels, but with the development of traditional culture Lost, disappearance of folk customs and the shift of aesthetic conception, New Year pictures, as a form of folk art, are unprecedented in form, function, production and consumption