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盖利曼是当代苏联剧坛屈指可数的著名剧作家之一,是七十年代崛起的一代“生产题材”作家中的佼佼者。目前,盖利曼的名字已开始为广大公众和话剧艺术界所关注。1987年9月,沈阳话剧团演出了他的《长椅》,获得成功;11月南京市话剧团又推出他的另一部剧作《家丑外扬》,观众反应热烈,盛况感人,笔者若不是身临其境,真不敢相信在大众娱乐节目盛行的情况下,严肃剧目还能如此有力地抓住观众。盖利曼是以他的电影剧本《奖金》(1975)一举成名的。影片得了大奖,电影剧本得了国家奖。内容相同但题名为《一次会议的记录》的剧本在全国50多
Gailman is one of the most famous playwrights of the contemporary Soviet theater and one of the top writers in the 1970s who are “production subjects.” At present, Gailman’s name has begun to pay attention to the general public and the theater arts community. In September 1987, the Shenyang Repertory Theater performed his “bench” and achieved success. In November, the Nanjing Repertory Theater released another opera, “The Outside of the House,” featuring a warm response from the audience and a touching event. If not, Immersive, I can not believe that in the case of popular entertainment programs, the serious repertoire can be so powerful to seize the audience. Gailman is famous for his screenplay “Bonus” (1975). The film won the award, the screenplay won the national award. The same content but entitled “a meeting of the record,” the script in the country more than 50