论文部分内容阅读
唢呐艺术,在每个历史时期都有着不同的变化,并被一代又一代的艺术家们不断地传承、创造和发展。胡海泉先生,这位新中国成立后第一个把唢呐搬上舞台的著名艺术家,一生挖掘整理、改编、创作了近二百首唢呐、双管、笙、笛子等民族器乐作品,为中国的唢呐艺术发展做出了杰出的贡献。笔者曾多年学习唢呐演奏并对胡海泉先生的作品和演奏技巧情有独钟。本文尝试对《春风吹绿黄河岸》这首唢呐曲进行分析,希望就乐曲的背景、结构、曲式特点及表现手法等跟广大音教同行及唢呐爱好者们探讨交流。
Suona’s art has different changes in each historical period and is continuously passed on, created and developed by generations of artists. Mr. Hu Haiquan, the first famous artist who brought the suona to the stage after the founding of new China, excavated, adapted and created nearly 200 pieces of suzhou musical instruments, such as suona, double pipe, Sheng, flute and so on, for China’s suona Art development made outstanding contributions. I have been studying the performance of the suona for many years and have a soft spot for Mr. Hu Haiquan’s works and playing skills. This article attempts to analyze the suona song “Spring Breeze Green and Yellow River Shore”, and hopes to discuss the background, structure, form and expression of music with the majority of musicians and suona lovers.