“虚怀若谷”一印,四字均匀分布,去除边栏而存边栏残痕,故似有边栏在也。这种残痕与笔画间似连似断,具有十分耐人寻味的朦胧美。而笔画的粗细变化,尤其是起笔处和转折处的笔触,与灵活雅适的字形、笔画相应,更增添了含蓄的笔墨感。故尔,此印在凝重古朴的金石气中又显出如同毛笔书写的意韵,堪称精品。 “Hushuruogu” a print, the four characters evenly distributed, remove the sidebar and save the sidewalk residual marks, it seems there is sidebar in the. This residual marks and strokes seem similar, with a very thought-provoking hazy beauty. The changes in the thickness of the strokes, especially the strokes from the beginning and the turning point, correspond to the flexible and graceful glyphs and strokes, adding an even more subtle sense of pen and ink. Therefore, this imprint in the dignified ancient stone gas shows the same meaning as brush writing, 堪称 boutique.