艾米莉·狄金森诗作《他的东方异教》的基本情节为蜜蜂经历过“东方异教”的激情放纵后餍足疲惫,转而垂青于平凡的三叶草。本文从文本的内在关联论证《简·爱》系该诗的创作缘起,并指出狄金森独具一格地使用了“复归于静”和“圆”的思维理解罗切斯特对简·爱的钟情,而罗切斯特这一形象为狄金森诗中花和蜜蜂的隐喻系统提供了新的解读可能。 The basic plot of Emily Dickinson’s poem “His Eastern Paganism” is tired and tired of ordinary beeches after bees have experienced the passion of “Eastern Paganism.” In this article, Jane Eyre is the origin of the poem from Jane Eyre, the internal relevance argument of the text, and points out that Dickinson’s unique use of “restoring to quiet” and “roundness” And Rochester’s image provides a new interpretation of the metaphorical system of flowers and bees in Dickinson’s poems.