当陆春涛发现自己的艺术前途并不乐观时,他已经完成了每一个画家都梦寐以求的在北京办展览的事。展览来了很多人,他们都想看一看这位来自上海的毛头小子到底有多少花头。但是,展览的成功并没有给年仅24岁的画家带来什么更大的创作冲动,相反,他选择了离开,离开心爱的水墨画。这一年,是公元1988年,算起来是个世纪的事了。 十多年后,我和春涛成了朋友,这时他已经重新回到了画桌边。“我根本就舍不得丢掉画画,只是那时理想和现实相距太过遥远。”春涛坐在我对面,淡淡地笑着说他自己的过去,好像是在 When Lu found his artistic future was not optimistic, he had completed the exhibition that every painter had dreamed of doing in Beijing. Many people come to the exhibition and they all want to see how many flower heads this Shanghai-born feather boy has. However, the success of the exhibition did not bring any greater creative impulse to the painter at the age of 24, instead, he chose to leave and leave his beloved ink painting. This year, in 1988, it was a century. Ten years later, I became a friend with Chun Tao, when he had returned to the painting table. “I simply could not bear to lose the painting, but at that time the ideal was too far away from the reality.” Chun Tao sat across from me and smiled and said his own past, as if