中国工笔人物画已有千余年的发展历史,在其缓慢而绵延的发展过程中,既产生了众多的画家与作品,同时也形成了技巧上的程式化表现。它以精勾细染的语言样式区别于纵笔挥写的水墨画,不同的创作理念与绘画样式使其在中国画坛独树一帜,光彩夺目,更屹立于世界艺术之林。然而,传统与现代的碰撞从艺术产生那天起便贯穿其发展的始终。本文旨在研究传统工笔人物与现代工笔人物间的不同表现方式。 With more than a thousand years of development history, the Chinese figure painting has produced many painters and works in its slow and continuous development, and at the same time, it has also formed a stylized skill. It differs from the fine brushwork of the language style pen and ink painting, different creative ideas and painting style make it unique in the Chinese painting, dazzling, but also stand in the world of art forest. However, the collision between tradition and modernity has been through its development ever since its birth. The purpose of this article is to study the different ways of expression between traditional and modern classics.