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由英国女子戏剧组(WTG)和伊莱恩·范思坦共同创作的《李尔的女儿们》不仅是女性莎剧改写的代表之作,更是当代集体创作戏剧的典范。在该剧中,集体创作的概念不仅体现于创作本身,更以“集体作者叙述”的叙事策略贯穿于作品的语言构建:该剧以前写本的形式,以不同于莎剧诗学语言的故事性话语,构建了一个由童话、记忆、歌谣等组成的复调叙述,从而讲述了一个“她者”的故事,将当代戏剧的合谋性和意义的流动性推向极致。
The “Lear’s Daughters,” co-authored by the British Women’s Theater Group (WTG) and Elaine van Tasten, are not only the epitome of female Shakespearean rewriting, but also the model of contemporary collective theater. In this play, the concept of collective creation is not only reflected in the creation itself, but also narrative strategy of “collective author narration” runs through the language construction of works: the former form of the play is different from that of Shakespearean poetic language Narrative discourse, constructs a polyphonic narration composed of fairy tales, memories, ballads and so on, thus tells the story of a “she”, which will push the fluidity of collusion and meaning of contemporary drama to the extreme.