论文部分内容阅读
从“古事記”“日本書紀”《万叶集》等文献中不难发现,万叶时代的女性常常采用和歌的艺术形式表现自己的喜怒哀乐和审美感受。由于生活经历不同,她们的和歌从自然质朴到复杂抽象,创作风格在不断地发生变化,但是创作精神是共通的,那就是真实。本文选择代表《万叶集》四个发展阶段的女歌人,多角度地探讨其作品的艺术感染力,考察《万叶集》各个时期的风格以及整体的发展轨迹,了解万叶时代女性丰富的精神世界。
It is not difficult to find from the documents such as “Antiquarians”, “Japanese Book Jiji” and “Wan Ye Ji” that women in the Wan Ye time often use the art form of hymn to express their emotions, emotions and aesthetic feelings. Due to their different life experiences, their harmony songs vary from simple to complex in nature, their style of creation is constantly changing, but the creative spirit is common and that is true. This article selects the female singers who represent the four development stages of “Wan Ye Ji” to explore the artistic appeal of their works from multiple perspectives, examines the style of the “Wan Ye Ji” and the overall development track, and understands the richness of women in the Wan Ye era The spiritual world.