《艺术界》探索在变动的创作及政治领域中艺术存在的可能,而拉丽莎·桑索尔证明了在话语与空间这组核心关系之中,总是存在出人意料的别样选择。在她的短片《国家大厦》(2012年)中,她为巴勒斯坦和以色列提供了一个可行的两国共处方案,这个方案并非从传统的地图学角度来分配领土——而是建造一座由全体城市进驻的超级摩天大厦。实现这个异想天开的方案最大阻碍是建筑上的困难还是现实中的官僚政治,人们不得而知。 The “art world” explores the possibilities of art in a changing field of creation and politics, and Larisa Sonthorne proves that there are always unexpected alternatives in this core set of discourse and space. In her short film “The State Building” (2012), she provided Palestine and Israel with a viable two-State co-existence program that does not allocate territory from the traditional cartographic perspective-but instead builds a community of cities Stationed in the super skyscraper. It is not known whether the biggest obstacle to this whimsical program is architectural or real bureaucratic politics.