国内学者针对美国华裔剧作家黄哲伦的代表作《蝴蝶君》所进行的研究和探讨主要集中在该作品对普契尼的著名歌剧《蝴蝶夫人》的解构,以及其打破西方传统对于东方的刻板印象,重新树立少数族裔的正面形象等方面所做出的积极努力。从某种程度上来说,其研究视角,切入点以及所得出的结论相对来说比较的单一和模式化。本文从性别研究入手,结合凝视理论和后殖民理论对这部作品中所体现的不完全解构进行较为深刻的剖析和探索,希望能对国内该作品的研究打开一个新的局面。 The domestic scholars’ research and discussion on the representative works of Butterfly Chinese by Chinese-American playwright Huang Zhe-lun mainly focuses on the deconstruction of Puccini’s famous Madame Butterfly, and its attempt to break the stereotype of the East by the Western tradition. Re-establish the positive image of ethnic minorities and other positive efforts made. To some extent, the research perspective, the entry point and the conclusions drawn are relatively single and modeled. This article starts with the study of gender, combines the theory of gaze and post-colonial theory to analyze and explore the incomplete deconstruction embodied in this work in a profound way, hoping to open a new situation in the study of this work in China.