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在很长的一段时间里,中国电影里没有青春:一个苦难的民族哪有闲暇去顾及青春呢?《青春之歌》很有代表性,那里的青春其实只是革命的代名词:青春和爱情一样,虽然无害,但作为个性自由的象征必须被压制。中国电影真正对青春的关注开始于20世纪80年代,两岸三地都在这一时间开始拍摄青春片,但往往都带有黑暗残酷的风格。如《枫》、《第一类型危险》等,在青春片逐渐转为亮色的今天,电影的杰作少了,但生活在其中的人,却幸运多了。
For a long time, there was no youth in Chinese movies: how could a nation in misery take care of youth? The “Song of Youth” is very representative of the fact that youth is just a synonym for revolution: youth is like love, Although harmless, it must be suppressed as a symbol of individual freedom. The real concern of Chinese film about youth began in the 1980s. All three places across the Taiwan Strait began filmed youth films at this time, but often all had the dark, cruel style. Such as “Maple”, “the first type of danger”, etc., in the youth film gradually turned bright color today, the film’s masterpieces less, but the people living in them, but more lucky.