论文部分内容阅读
行家们在欣赏一件书画作品时,对书画家所题的款识和所用的印信,是不会轻易放过的。它们不仅是整个书画艺术作品的有机组战部分,也是鉴定书画作品真伪的重要标识,所以从事书画鉴定的专门家尤其感到需要编纂一部历代书画家常用印信和款识的工具书。由文物出版社出版的《中国书画家印鉴款识》问世后得到读者的欢迎,前不久又再版发行。 历时八年编纂成的这部印刷精美,装潢典雅的煌煌巨著,有它一段艰难的诞生过程。我国书画艺术源远流长,历代名家辈出。早在50年代,不少有识之士就曾建议编纂一部历代书画家常用款识和印信的
When an expert appreciates a painting and calligraphy work, the inscription on the painter and the printed letter will not easily be missed. They are not only the organic warfare part of the whole painting and calligraphy works, but also the important identification of the authenticity of calligraphy and painting works. Therefore, the specialists engaged in the identification of calligraphy and painting feel especially need to compile a reference book commonly used in printing and identification of ancient calligraphy and painting painters. Published by the Cultural Relics Publishing House, “Chinese calligraphy and painting printed version of identification” was readers welcome, not long ago again release. After eight years of compilation into this beautifully printed, elegant decoration Huang Huang masterpiece, it has a difficult birth process. Chinese calligraphy and painting art has a long history, famous generations come forth in history. As early as the 1950s, many people of insight had proposed the compilation of a common calligraphy and painting of ancient artists and India’s letter