中国的绘画,无论是工笔的也好,还是写意的也好,那是一种形式上的区别,骨子里头的精神都是写意的。文化观念发生了很大的变化,徐悲鸿把西方美术的写实主义引进到中国来,解决了许多中国人物画存在的问题。因为人物画必须要跟着社会的形势走,要反映现实生活,而原来的那一套,比如十八描等等,可能就不够用了,所以这是一个好事。但是同时也带进了很多写实主义的观念,这个写实主义的观念和我们中国的写意观念完全不是一回事儿,我们很长一段时间讲科学,艺术也讲科学,实际上仔细去想一想的话,艺术跟科学是没有什么关系的。艺术的科学,因为是西方的文化所以 Chinese painting, whether it is artful or freehand brushwork, is a formal difference, and the innermost spirit is freehand. Cultural concepts have undergone great changes. Xu Beihong introduced the realism of western art to China and solved many problems of Chinese figure painting. Because portraits must follow the social situation and reflect the real life, and the original one, such as eighteen strokes, may not be enough, so this is a good thing. But at the same time, it brought in a lot of realist ideas. This realistic concept is completely different from our Chinese idealistic ideas. For a long time, we talked about science and art for science. In fact, we should think carefully If so, art has nothing to do with science. Art science, because it is Western culture