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法国人订艺术相关法律,出了名的喜欢保护艺术家,他们自己也引以为傲,觉得在法国,原作者权益比天还高——相比起来,美国法律就略功利,对传播者优待过头;德国和瑞士的法律则比较中庸,没啥特色。话说法国人订这法度的缘由,倒不是天然热爱艺术家,而是二十世纪中后期一些学者的研究证明,艺术家如不保护,必然会死绝。比如,拉永德·穆兰写过《艺术、工业与市场》。她写道,1980年,法国有大大小小艺术家大约一万八千人,其中大概一百七十个人
The French, which subscribes to art-related laws and famously likes to protect artists, is also proud of themselves, believing that in France the rights of the original author were higher than those of the day - compared with the slightly utilitarian US law and preferential treatment to communicators Excessive; German and Swiss law is more moderation, nothing special. To say that the reason for the French people to set this course is not that they naturally love the artists but that some scholars in the mid-to-late 20th century have proved that if the artists do not protect them, they will inevitably die. For example, Lajond Mullan wrote “Art, Industry and Markets.” She wrote that in 1980 there were about 18,000 French artists of all sizes, of whom about 170 were