论文部分内容阅读
1990年代到前几年,黄国武以充斥着困顿的水墨语言进行着他的当代水墨实验,他非常有力量地表达了两重“焦虑”:来自现实的焦虑和水墨表达的焦虑。近年来,他开始走出画室,重新思考笔墨的传统精义和自然关系。将他的心灵和艺术交给了现实存在—“神州”。
From the 1990s to the early years, Huang Guwu experimented with contemporary ink painting in a drowsy and ink language. He expressed his strong “dual anxiety”: anxiety from reality and anxiety from ink expression. In recent years, he has started to walk out of the studio to rethink the traditional and natural relationships between ink and ink. Give his mind and art to reality - “Shenzhou ”.