新时期国内文学本体论研究,前阶段随着文学审美本性的被坚守而成为热点,后半阶段因后现代理论传入而渐趋冷,进入新世纪,出于价值失范之忧而又升温。但近三十年来该研究中,自创性理论话语居多,其赖以建构的有效学理根据却每每显得稀薄。其实,19世纪中期以来哲学开始发展出直观、体验等有别于传统思辨的、类似于文学的崭新理路,逐渐形成诗思等超越了主客对立的后形而上学思想方法,这为今天建构文学本体论提供了学理根据,它包括诗与哲学之争、本体论与形而上学的关系和文学对形而上学的超越这密切关联的三个方面。在此,关键应看到,文学语言具有超越主客二分、与存在对话的独特功能,在后形而上学视野中,文学与存在的对话乃文学的存在方式,文学本体论建构是可能的。 In the new era, the research on the ontology of domestic literature has become a hot spot with the adulteration of the aesthetic nature of literature. The latter half is getting cold due to the introduction of postmodern theory, and into the new century, warming up from the worry of losing value. However, in the past thirty years, most of the discourse of self-made theoretical discourses in this research often appears to be thin and effective. In fact, since the mid-19th century, philosophy began to develop intuitive and experiential methods that are different from traditional thinking and new ways of thinking similar to literature, and gradually formed the post-metaphysical thinking method of transcending the opposition between subject and object. This is the basis for today’s construction of literary ontology Provides the theoretical basis, which includes three aspects: the dispute between poetry and philosophy, the relationship between ontology and metaphysics and the transcendence of literature from metaphysics. Here, the key point should be that the literary language has the unique function of transcending the subjectivity and subjectivity, and the existence of dialogue. In the metaphysics of post-metaphysics, the dialogue between literature and existence is the way of existence of literature and the construction of literary ontology is possible.