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明治39年,岛村抱月以对接西方文艺思潮及其时代文艺观的方式,对阔别的日本文坛做出了自己的预期。《被囚禁的文艺》一文对文艺做出了“情”受“知”所困的判断。岛村抱月依此在日本文艺、西方文艺与文艺这三者间,发现了“象征性”“宗教性”的总特征,并认定这将是此后文艺发展的总方向。本文从岛村抱月明治39年的文学活动、《被囚禁的文艺》体现的文艺观、岛村抱月对日本文艺的认识、岛村抱月对西方文艺的认知、岛村抱月对文艺的思考五个方面展开论述,探讨文艺、西方文艺与日本文艺的“三位一体”。
In the 39th year of Meiji era, Shimamura embraced his own expectations in the farewell Japanese literary world in the way of docking the Western literary trend of thought and his time literary concept. “Imprisoned literature and art,” a text on the literature and art has made “love” by “knowledge ” of the trapped judgment. According to this, Shimamura embraces the general characteristics of “symbolic ” “religious ” in Japanese literature and art, western literature and art, and finds that it will be the general direction of the development of literature and art thereafter. This article starts with 39 years of literature activities in Meiji-Mooncheon of Meiji Era, literature and art view of “Imprisoned literature and art”, Shimamura embarks on the understanding of Japanese literature and art, and Shimamura embraces the understanding of western literature and art, Literature and art five aspects of the discussion, to explore literature and art, Western literature and art and Japanese “Trinity ”.