从自身经历出发对外省子弟生存境遇的关注、对处于困境中的个体内心世界层次分明的影像表达,使在低产中精雕细琢的张作骥成为台湾又一位具有原创力、关注主题和影像风格自成一体的具有“作者”风格的导演。本文尝试从他影片的关注主题和影像风格去探究他一系列影片呈现出来的作者特征。 From his own experiences he started to pay attention to the living conditions of the children of other provinces and expressed clearly the hierarchical expression of the inner world of the individual in distress so that Zhang Zuoji, who has sculptured in a low yield, has become another source of Taiwan’s originality, concern and theme Self-contained “author” style director. This article attempts to explore the features of the authors presented in a series of his films from the focus themes and image styles of his films.