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从文学符号纵聚合联想范围的两种情况看,文学史上实际发生的作家自由创造或读者自由欣赏,其实是从特定文化系统文学审美价值判断出发对人类共同拥有的文学手法、文学想象空间的选择。在跨文化文学对话交流频繁的当下,异质文化系统之间交流对话成为学界关注点之一。本文借助符号结构方法阐释异质文化系统文学差异性以及跨文化文学平等对话,对当下“文化间性”讨论做出自己的回应,并呼吁异质文化系统文学对话中的诗学语境还原。
Judging from the two situations of literary symbols vertical polymerization association, literary creation and freedom of readers actually occurred in the history of literature is actually from the judgment of the aesthetic value of the specific cultural system literature to the collective possession of mankind’s literary techniques and the choice of the space for imagination of literature . At the moment when intercultural dialogue is frequent, the exchange of dialogue among heterogeneous cultural systems has become one of the academic concerns. By means of the symbolic structure, this paper expounds the literary diversity of heterogeneous cultural systems and the intercultural dialogue, and makes its own response to the current discussions on “interculturality.” It also calls for the poetic context in the dialogues of heterogeneous cultural systems reduction.