“斤斗”俗称“跟头”,是戏曲舞台上常见的“头朝下把身子翻过去”的表演。戏里有时遇到了翻山、越岭、跳涧、过墙、跌跤、落马的情节,翻一个“跟头”可以增强表演的真实感,在武戏中能起到烘托战斗气氛的作用。戏曲剧目里的程式动作来源于生活,“跟头”的创造,同样也有生活依据。翻“跟头”要根据剧情的发展,《问樵闹府》的范仲禹摔“吊毛儿”,是行路不慎,跌了一跤。《四郎探母》的杨延辉翻“高毛儿”,是中了埋伏,滚鞍落马,都不是为翻而翻。“跟头”的花样很多,大致可以划分两大类—— “Kindou” commonly known as “beheaded” is a common opera stage “turn his head turned down” performance. In the play sometimes encountered over the mountains, jungle, jianjian, over the wall, fall, the plot of the horse, turning a “beheading” can enhance the reality of the show, in the wushu can play the role of setting off a fighting atmosphere. The program moves in the drama come from life. The creation of “hell” also has the basis of life. Turn “down” According to the story of the development, “Qiao Qiao House” Fan Zhongyu throw “hanging hair” is a careless way, fell. “Yanbian exploration of the mother,” Yang Yanhui turned “tall hair”, is in the ambush, saddle fell, not for turning over. “Bentou” a lot of tricks, roughly divided into two categories -