川禅的三则小说结构简单,但体现出的叙事上的从容让人惊喜。从她创作的文本可以看出,这是位喜爱科幻、动漫和昆汀·塔伦蒂诺电影的少女。她用一种迥异于成人的年轻而新鲜的目光,尝试对我们所身处的世界作出新的描述和解释。在她看似轻松和写意的笔触下,存在着某种超越所有年龄的焦虑,这种焦虑仿佛从我们一出生就烙印下了。小说里那位“挣扎在过去与未来间的神明”——弥都波能卖,正是焦虑的代言人,她“向往着人类生活却一遍又一遍地埋怨人类,在痛苦的矛盾中生活下去”。作为 The three novels of Chuanshan are simple in structure, but they are surprisingly narrative. As she can see from her text, this is a girl who loves science fiction, animation and Quentin Tarantino. Using a young and fresh look different from that of adults, she tries to make a new description and explanation of the world in which we live. Under her seemingly relaxed and freehand brushwork, there is some sort of anxiety that goes beyond all ages, an anxiety that seems to be imprinted from when we were born. In the novel, “the god who struggles between the past and the future” - Mi Dubbo can sell, it is the spokesman for anxiety, she “aspire to human life but complain about human beings over and over again, in painful contradictions live on”. As