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“世变”力图将一系列纷繁错综的叙事线索悉数交汇于上世纪90年代的中国大陆:不论是个体经验在集体无意识之下的表达焦虑,还是市场经济和国际化浪潮之下无处安放的个性与欲望,抑或是飞速推进的城市化进程所无暇顾及的觞痛与迷失,策展人此番无疑为展览设置了,一个相当棘手的历史语境。面对如此宏观的叙事,展览在作品选择上,一方面借由一批上世纪90年代的作品将
“Transmutation ” tries hard to confuse a series of numerous and intricate narration clues in mainland China in the 90s of last century: no matter whether the individual experience expressed anxiety under the collective unconsciousness or the market under the wave of economy and internationalization Placed personality and desire, or the rapid progress of the urbanization of the time-consuming pain and loss, Curator undoubtedly set the exhibition this time, a rather difficult historical context. The face of such a macro narrative, the exhibition in the choice of works, on the one hand by a group of works of the last century 90’s