琼斯在罗塞蒂作品的基础上扩展和发挥了属于自我的女性艺术形象。虽然他受到中世纪文化和基督教学说的深刻影响,但个人化的视角与唯美化倾向还是让琼斯的作品在客观上没有真正地反映宗教,因此琼斯并不是一个真正意义上的宗教画家。他主张类似“为艺术而艺术”的观点, 在超出神话内容的同时反映了从物质现实转向精神幻想的审美需求。 Jones expands and develops the artistic image of women based on Rossetti’s works. Although he was profoundly influenced by the medieval culture and Christian doctrine, his personal perspective and aestheticism still did not objectively reflect Jones’s work. Therefore, Jones is not a true religious painter. He advocated a similar “art for art” view, beyond the mythological content at the same time reflects the physical reality from the spiritual needs of the aesthetic needs of fantasy.