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黄遵宪在《日本国志·学术志二·文字》篇末所阐发的“言文合一”的观点被研究者认为是中国现代文学的起点,但需要指出的是黄遵宪此番论述并不仅仅限于中国文学自身,本文试图将其置于汉文圈的大背景下做更为全面的梳理和审视,发掘它在多重脉络上的意义。本文从互文关系入手探讨《文字篇》的文本生成和叙述策略,发现黄遵宪在对前文本的改写以及对神代文字说的驳斥中表现出了批判意识,然而对于“言文合一”所包含的语音中心的去汉字化,却缺乏足够的敏感;在论及中国问题时,更是将言和文之间复杂的关系简单等同,并幻想出两者之间可以达成一致。
Huang Zun-xian’s “unity of language and speech” elaborated at the end of “The Japanese Ambition and Academic Records II” is regarded as the starting point of modern Chinese literature by researchers. However, it needs to be pointed out that Huang Zunxian not only discussed this time Due to the limitation of Chinese literature itself, this article attempts to make a more comprehensive review and review on the background of the Chinese language circle and explore its significance in multiple contexts. This article starts from the intertextual relationship to explore the textual formation and narrative strategies of “textual articles” and finds that Huang Zunxian shows his critical consciousness in the rewriting of the former texts and the refutation of the ancient texts. However, The Chinese characters of the phonetic centers contained are not sufficiently sensitive. When discussing the Chinese issue, they also simply equate the complicated relations between the words and the texts, and imagine that the two can reach an agreement.