《爽籁亭记》从文体表层看,显然是游记,却在阐释着一条重要的审美原理;它诚然在阐释原理,可又用感性盎然的词采加以描述。它亦论亦文,介乎感性与理性之间,用感性形式表述理知内涵,从而形成了文学体制型的创新, “Shuang tone Pavilion in mind,” from the stylistic perspective, apparently a travelogue, but in interpretation of an important aesthetic principle; it is true in the interpretation of the principle, but also with the sensual eloquence to describe. It is also about the text, ranging from perceptual and rational, with the emotional content of the intellectual expression, thus forming a literary institutional innovation,