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与黑色的胶木唱片一样,招贴似乎已经消失了近20年之久。这一历史上曾经的主要交流工具逐渐地让位于今天大行其道的明信片与电子邮件。我们中的许多人都憧憬着这样一个时代,那时招贴不仅仅作为一种主要的宣传工具出现,它也是艺术世界的组成部分,在艺术世界中拥有自己的一方天地。招贴对于创意表达来说是一块完美的画布,这样一种有着辉煌历史的交流手段的缺失是让人难以忍受的。一群意志坚定的设计师再次转向招贴,将之用于个人项目或作为从其他限制性很强的媒体手段中逃脱的宣泄口。他们的目的是要证明:招贴仍然是传递客户信息的媒体宣传的强大手段。这些设计师所展示的优秀作品,已经将招贴重新带回人们的视野之中。《21世纪大师级招贴设计》撷取了当今最负盛名的一些设计师的杰作,同时也收录了一些慢慢崛起的新人作品。这样一种对于作品的综合筛选,正好完成于招贴重生之时,相信它一定能给各位带来启发。
Like the black bakelite album, the poster seems to have disappeared for nearly 20 years. This historically major communication tool has gradually given way to postcards and e-mails popular today. Many of us are longing for an era when posters not only appear as a major propaganda tool but also as an integral part of the art world, with its own world in the art world. Placard is a perfect canvas for creative expression, and the absence of such a glorious historic exchange of means is unbearable. A group of aspiring designers turned to posters again, used them for personal projects or as a vestige of escape from other more restrictive media outlets. Their purpose is to prove that posters are still a powerful means of conveying media messages about customer information. The outstanding works exhibited by these designers have brought the poster back to people’s perspective. 21st Century Master Poster Design captures some of today’s most prestigious designers’ masterpieces, as well as some of the emerging newcomers. Such a comprehensive screening of works, just completed the rebirth of the poster, I believe it will certainly inspire you.