20世纪以来,有不少仁人志士鉴于文人水墨因脱离现实而呈现出来的衰微,力主变革,取得了卓越的成果。他们从民间艺术、从更古老的民族传统、从外来艺术中吸收营养,丰富了中国画的表现语言。而真正启动中国画的动力,则来自现实生活。由于面对现实、面对自然,使中国画,不论是用水墨手段的,还是采用重彩语汇的,都获得了可贵的现实品格。最初在色彩中探索并取得成就的是从欧洲留学回国的林风眠先生。他巧妙地把西画的光 Since the 20th century, many good-minded people have made outstanding achievements in the light of the decline of the literati’s ink and wash due to being divorced from reality. From the folk art, from the ancient national tradition, they absorb nutrients from foreign art and enrich the performance language of Chinese painting. The motivation for actually launching Chinese painting comes from real life. Faced with reality, facing the natural world, Chinese paintings, both in ink and in ink, have gained valuable realistic qualities. The first color to explore and achieve success is returned from studying in Europe, Lin Fengmian. He skillfully put the light of the Western painting