改革开放以来,装饰雕塑已由过去单纯架上工艺性小型雕塑发展为城市大型的环境艺术。 多少年来,装饰雕塑历经了风风雨雨,而今终于已其舒展的姿容展现于国人面前,美化了人们的生活环境,陶冶了人们的情操。它不仅打破了以往写实性的单纯化模式,也在百花齐放的园地里占有了一席。 装饰雕塑的创建与其体系的完善是基于对传统与现代的反思,对创作与设计的融合,以及写实与抽象形式兼容并蓄的艰辛过程而形成的。它是受中外文化精华的滋润,用现代雕塑手段来丰富,才逐渐形成自身的具有民族性和时代感的形式规律与法则。它已经走进了人们的工作场所和 Since the reform and opening up, the decorative sculptures have evolved from the mere easel crafting of small sculptures to large-scale urban environmental arts. Over the years, decorative sculptures have experienced ups and downs, and now finally its stretched posture is displayed in front of people, beautifying people’s living environment and cultivating people’s sentiments. It not only broke the simplistic model of past realism, but also occupied a place in the flourishing garden. The creation of decorative sculptures and the perfection of their systems are based on the reflection of tradition and modernity, the fusion of creation and design, and the arduous process of incorporating realistic and abstract forms. It is enriched by the essence of Chinese and foreign cultures and enriched with modern sculptures. It has gradually formed its own formal rules and laws with a sense of national character and the times. It has come into people’s workplaces and