黑釉瓷自从东汉在浙江上虞一带伴随着成熟青瓷产生以来,一直持续不断地生产,但一直未能进入瓷器生产和日用瓷的主流,只是青瓷的附属产品。到北朝晚期黑釉在北方生产成功,到隋唐时期就迅速成为中国北方瓷器的主流之一,伴随着白瓷成为北方宫廷、贵宅、寺院里不可或缺的美品,在主流文化区域的隋唐两京地区,以及河北、河东、山东的新贵 Black glaze porcelain since the Eastern Han Dynasty in Shangyu, Zhejiang along with mature celadon production, has been continuously produced, but has not been able to enter the mainstream of porcelain production and daily use of porcelain, but ancillary products. In the late Northern Dynasties, the black glaze was successfully produced in the north and became one of the mainstream porcelain in northern China by the Sui and Tang dynasties. Accompanying with the white porcelain becoming the indispensable beauty in the northern court, expensive house and monastery, in the mainstream cultural areas of the Sui and Tang dynasties Beijing area, as well as Hebei, Hedong, Shandong upstart