对于书画赝品的排斥实际来自于对过去的恐惧和对未来的盲目,我们逐步丧失了可信仰的正义本身而成为投机主义者,先是附庸于科技主义,然后就是以市场为中心来看待世界,最终产生了享乐主义的萎靡风气。路易十五说,我死后,哪怕洪水滔天?这样的不负责任的话相对于这个时代就是经典。以这样的心态面对艺术市场,当然会对书画赝品的文化内涵视而不见,从 The exclusion of calligraphy and painting fake actually comes from the fear of the past and the blindness to the future. We gradually lose the credible justice itself and become speculators, first appendage to technologicalism, then the market as the center to look at the world and finally Has created hedging style of hedonism. Louis XV said that after I died, even if the flood was monstrous? Such an irresponsible phrase is a classic with respect to this era. Facing the art market with such a mentality, of course, will turn a blind eye to the cultural connotations of calligraphy and painting fakes