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地域文化,不仅能为作家的成长提供丰富的文化营养,而且可为其创作提供取之不竭的素材,进而促成作家富有地域特色文化烙印的创作风格。作为当代“中原作家群”核心构成和主要力量的南阳作家群,在南阳文化的滋养下,创作出了一大批富有“南阳文化”特色的优秀作品。宋云奇的长篇小说《蓝色寓言》,延续了南阳作家对现实生活的持续关注,通过对挂职干部萧剑平的官场、情场生活描绘,刻画出了一批形态各异的中低层官员众生相,从而以文学的方式,对权力、对情感、对人性进行了深刻的拷问。同时,小说为达到“现实与浪漫”并存的效果,也在叙事中引入了荒诞、象征等超现实主义的手法,并对叙事视角、叙事节奏、叙事内容,进行了巧妙的调整。
Regional culture can not only provide rich cultural nutrition for the growth of writers, but also provide inexhaustible material for its creation, which in turn leads to the creation style of the writer with the culture of regional characteristics. As a group of Nanyang writers who are core components and main forces of contemporary “Central Plains Writers Group”, Nanyang culture has nourished a large number of outstanding works featuring “Nanyang Culture”. The novel “Blue Allegory” of Song Yunqi continues the continuous concern of Nanyang writers in real life. By depicting the officialdom and the love scene of secretary Xiao Jianping, Song Yunqi portrays a group of middle and low-ranking officials in various forms, Way, a profound torture of power, emotion, and human nature. At the same time, in order to achieve the coexistence of “reality and romance”, novels also introduce surrealistic methods such as absurdity and symbolism in narration, and make clever adjustments to narrative perspective, narrative rhythm and narrative content.