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20世纪80—90年代,作为一个兼具文学性与商业性,隐喻了中国当代文化变迁的过渡性作家或文化商人——王朔,其文化姿态始终依随中国当代社会文化转型的历史语境而彰显。“文革”的终结及社会结构的重新调整,使王朔及其笔下“干部子弟”在政治与经济的双重失落中成为了沦落在文化边缘的“末路英雄”。边缘化的文化处境造成了其前所未有的自我认同的焦虑与危机,“末路英雄”也因此面对边缘性的文化困境作出自身的文化反应。
In the 1980s and 1990s, as a transitional writer or cultural businessman who is both literary and commercial metaphor for the change of Chinese contemporary culture, Wang Shuo’s cultural attitude always follows the historical context of the cultural transformation of contemporary Chinese society. Highlight. The end of the “Cultural Revolution” and the readjustment of the social structure made Wang Shuo and his “cadres and their children” the “hero of the dead” who fell into the cultural margins in the double loss of politics and economy. The marginalized cultural situation has created an unprecedented anxiety and crisis of self-identity. Therefore, the “hero of the last resort” has therefore also made its own cultural response to the marginalized cultural predicament.