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千百年来,皮影艺术盛行于中国城乡,逐渐在各地形成了许多富有地方特色的流派,成为我国古老的传统民间艺术。如果我们继续深入地对皮影艺术的社会文化含义,即以宗教信仰为线索来讨论其形成及演出的象征作用,以音乐唱腔、角色行当与戏目剧本来讨论其在中国戏曲史上的地位和影响,或以大众的民俗生活为基础来讨论其演出的社会意义,就会发现在中国的皮影艺术中,蕴含着相当丰富的文化内涵,有许多问题可以进行深入的探讨。
For thousands of years, shadow art prevailed in urban and rural areas in China, and gradually formed many schools with local characteristics in various places and became the ancient traditional folk art of our country. If we continue to deeply understand the social and cultural implications of shadow art, that is, to take religious beliefs as a clue to discuss its symbolic role in the formation and performance of music, we will discuss its position and influence in the history of Chinese opera through the use of music, roles and plays , Or discussing the social significance of their performances based on the popular life of the general public, you will find that there are quite a lot of cultural connotations in the shadow art in China, and many problems can be explored in depth.