翻开刚刚拿到手的《心象风景——刘一原水墨艺术》,一股新鲜油墨的香味扑面而来,雅洁的书衣,厚重的体量,几乎囊括了刘一原从20世纪80年代中期以来的全部创作。画集犹如打开的一扇窗户,全方位地展示出一个虔诚供奉艺术的中国画家。在西方现代派和后现代派近百年的艺术史立体地呈现在国人面前,文化上巨大的落差触发对自身否定的浪潮时,他也感受到了现代的冲击,只是没有简单地否定自我,他仍 Open just got the “heart like the landscape - Liu Yibin ink art”, a fresh smell of ink blowing, elegant book clothing, heavy body weight, covering almost all of Liu since the mid-1980s since the mid- creation. The painting gallery opens like a window, displaying a full range of Chinese painters dedicated to art. In the three centuries of art history of western modernism and postmodernism, the modern art was vividly presented to the people. When the huge cultural gap triggered the wave of denial to himself, he also felt the modern impact but did not simply deny himself.