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《东京奥林匹克》作为影史上公认的三部最优秀的夏季奥运会纪录片中唯一的一部亚洲电影,由日本现代音乐的代表作曲家黛敏郎为本片创作的电影音乐亦同样出色与经典;在电影音乐,尤其是亚洲电影音乐的领域内深具代表性,具有相当的研究价值与借鉴意义。目前,在我国尚未见到对该片配乐风格及技法的相关研究。本着填补空白的出发点,本文经由该片考察了黛敏郎电影音乐创作的基本特征,并着重探讨了当代电影音乐创作领域内的两大前瞻性潮流——“全球化和全球本土化”、“新浪潮主义”对于该片独特配乐风格的形成起到的决定性影响及作用。
Tokyo Olympics is the only Asian movie recognized as one of the three best Summer Olympic documentaries in the history of film. Movie music by Dai Min-lang, the representative composer of Japanese modern music, is also excellent and classic in the film. Music, especially in the field of Asian film music, is highly representative and has considerable research value and reference value. At present, we have not seen the related research on the soundtrack style and technique in our country. Based on the starting point of filling the gap, this article examines the basic characteristics of Dai Min Lang’s film music creation and focuses on two major forward-looking trends in the field of contemporary film music - “Globalization and Globalization” , “New Wave” for the film’s unique style of music played a decisive influence and role.