在中央美术学院中国画学院访问学习期间,我着重研究了没骨花鸟画的技法语言和审美意趣。在此过程中,除了利用宣纸创作外,我还尝试在金卡等材质上作画。我的导师是专擅大写意花鸟画的于光华教授,同时,我还得到了擅工笔花鸟画的金纳教授、擅没骨花鸟画的谢青教授和擅兼工带写花鸟画的刘万鸣教授等大家的悉心指导。在诸位名师的指导与影响下,我开始意识到写意、工笔、兼工带写与没骨之间在用笔方法上的区别。一、没骨溯源所谓没骨画法,是指以墨或颜色染就而不见笔迹的绘画 During my visit to the China Academy of Art at the Central Academy of Fine Arts, I focused on techniques and aesthetics of the painting without birds and flowers. In the process, in addition to making use of rice paper creation, I also try painting on the gold card and other materials. My tutor is Professor Yu Guanghua, who is good at painting birds and flowers. At the same time, I also got Professor Jinna who is good at pen and flower painting, Professor Xie Qing who is good at bone and bird painting, and Professor Liu Wanming Everyone’s careful guidance. Under the guidance and influence of all the famous teachers, I began to realize the difference between the freehand brushwork, writing brush, and writing brush with no bone. First, there is no trace of the so-called boneless bone painting method, refers to ink or color dyed without the handwriting painting